Rattle returns to Munich via a fairy garden

Por Mark Pullinger, 20 julio 2020

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“Kožená feels this repertoire deeply, painting a solitary figure in the final song”

Crítica hecha desde Philharmonie im Gasteig, Múnich el 20 julio 2020

Mozart, Las bodas de Fígaro (Le nozze di Figaro), K492: obertura

Mahler, Rückertlieder

Dukas, La Péri: Fanfare

Ravel, Ma mère l'Oye (Mi madre la oca)

Magdalena Kožená, Mezzosoprano

Symphonieorchester des Bayerischen Rundfunks

Sir Simon Rattle, Dirección

Simon Rattle y la BRSO ofrecen un dechado sinfónico en Ibermúsica

Leonardo Mattana Ereño, 20th November

La BRSO, una de las mejores formaciones a nivel mundial, ofreció una velada que no será fácil de olvidar.

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Erhebender Tanz der Töne: Bartók mit Vilde Frang und dem BRSO

Benedikt Zacher, 26th February

Die norwegische Ausnahmegeigerin verzaubert mit Bartóks Zweiten Violinkonzert das Münchner Publikum.

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Wohl komponiert: Håkan Hardenberger und Andris Nelsons mit dem BRSO

Benedikt Zacher, 7th December

Unaufgeregt, hochmusikalisch, bescheiden: die Weltklasse-Musiker begeistern in der Isarphilharmonie.

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L'hymne à la vie de Rattle avec l'Orchestre de la radio bavaroise

Emmanuel Gaillard, 14th November

La phalange munichoise et son directeur musical ont proposé une interprétation mémorable de la Symphonie n° 2 de Schumann et de L'Oiseau de feu de Stravinsky au lendemain des commémorations des attentats du 13 novembre 2015.

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Vivid Janáček and flowing Bruckner from Rattle and the BRSO

Roy Westbrook, 12th November

The Bavarian Radio Symphony Orchestra conclude the UK leg of their European tour at the Barbican, pairing Janáček’s Taras Bulba with Bruckner's Seventh Symphony.

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Sir Simon Rattle opens the Bavarian RSO tour on his home turf

Rohan Shotton, 10th November

Sir Simon Rattle returns to Liverpool to conduct his new orchestra, the Bavarian Radio Symphony Orchestra, in Schumann and Stravinsky.

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.