West Edge Opera’s Snapshots of the future

Por Jaime Robles, 26 febrero 2018

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Crítica hecha desde Taube Atrium Theater, San Francisco el 25 febrero 2018

Deaconoff, The Last Tycoon

London, Dynamo

Wold, She Who Is Alive

Rosen, Death of a Playboy

Saxon, 452 Jamestown Place

West Edge Opera

Jonathan Khuner, Dirección

Mary Chun, Dirección

Earplay Orchestra

Molly Mahoney, Mezzosoprano

J. Raymond Meyers, Tenor

Julia Hathaway, Soprano

Jason Sarten, Barítono

Darron Flagg, Tenor

Heidi Moss, Soprano

Sex with a side of brilliant opera

Ilana Walder-Biesanz, 13th August

Thomas Adès’ Powder Her Face has plenty of sex written in, and West Edge Opera's production adds even more. But it's the music and drama that sell.

*****

A dreamlike forest in an abandoned train station: The Cunning Little Vixen at West Edge Opera

Ilana Walder-Biesanz, 7th August

The sets, costumes, and venue contribute to the atmosphere, but it's the singing and playing of Janáček's enchanting music that make West Edge Opera's The Cunning Little Vixen magical.

****1

The “other” Bohème delights at West Edge Opera

Ilana Walder-Biesanz, 20th March

Leoncavallo's rarely produced La bohème offers enchanting musical variety, delivered in a well-cast concert staging by West Edge Opera.

****1

Opera Medium Rare presents Rossini’s Zelmira

Jaime Robles, 17th February

West Edge Opera has come up with a means to engage and develop opera audiences in that home of West Coast radicalism, the San Francisco Bay Area.

***11

La novia vendida vuelve al Real y encandila musical y escenicamente

Leonardo Mattana Ereño, 19th April

Laurent Pelly y Gustavo Gimeno dirigen una encantadora producción de La novia vendida en la que todos los intérpretes extrajeron la mejor esencia de la música de Smetana.

****1

Marina Bollaín actualiza Jugar con fuego con magníficos resultados

Aaron Vincent, 25th March

Actualizar una zarzuela puede ser como jugar con fuego, pero Marina Bollaín regatea las dificultades y capitanea un equipo que convence musical, visual y teatralmente.

****1

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Jaime Robles

Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.