West Edge Opera’s Snapshots of the future

Par Jaime Robles, 26 février 2018

Chargement en cours, veuillez patienter...

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Critique faite à Taube Atrium Theater, San Francisco, le 25 février 2018

Deaconoff, The Last Tycoon

London, Dynamo

Wold, She Who Is Alive

Rosen, Death of a Playboy

Saxon, 452 Jamestown Place

West Edge Opera

Jonathan Khuner, Direction

Mary Chun, Direction

Earplay Orchestra

Molly Mahoney, Mezzo-soprano

J. Raymond Meyers, Ténor

Julia Hathaway, Soprano

Jason Sarten, Baryton

Darron Flagg, Ténor

Heidi Moss, Soprano

Sex with a side of brilliant opera

Ilana Walder-Biesanz, 13th August

Thomas Adès’ Powder Her Face has plenty of sex written in, and West Edge Opera's production adds even more. But it's the music and drama that sell.

*****

A dreamlike forest in an abandoned train station: The Cunning Little Vixen at West Edge Opera

Ilana Walder-Biesanz, 7th August

The sets, costumes, and venue contribute to the atmosphere, but it's the singing and playing of Janáček's enchanting music that make West Edge Opera's The Cunning Little Vixen magical.

****1

The “other” Bohème delights at West Edge Opera

Ilana Walder-Biesanz, 20th March

Leoncavallo's rarely produced La bohème offers enchanting musical variety, delivered in a well-cast concert staging by West Edge Opera.

****1

Opera Medium Rare presents Rossini’s Zelmira

Jaime Robles, 17th February

West Edge Opera has come up with a means to engage and develop opera audiences in that home of West Coast radicalism, the San Francisco Bay Area.

***11

Siegfried et l’art du chant au Théâtre des Champs-Élysées

Pierre Michel, 19th April

Pour ce troisième volet du Ring proposé en version de concert par Yannick Nézet-Séguin et l'Orchestre philharmonique de Rotterdam, c'est le plateau vocal qui brille avant tout, éclipsant l'orchestre et le chef.

***11

Michael Fabiano fait trembler le Capitole dans Otello

Arnaud Saura-Ziegelmeyer, 14th April

Pour ses débuts à Toulouse, le ténor américain se distingue dans le rôle-titre de l'ouvrage verdien. Mise en scène, plateau vocal et fosse s'associent parfaitement pour livrer la quintessence du drame.

*****

Plus de critiques...

Jaime Robles

Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.