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Alonzo King's LINES Ballet takes a walk on the wild side

Por Jaime Robles, 14 abril 2019
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“There is something feral about Alonzo King's choreography”
Crítica hecha desde Yerba Buena Center for the Arts Theater, San Francisco el 12 abril 2019
Programa
Pole Star (Alonzo King)
Art Songs (Alonzo King)
Intérpretes
Alonzo King LINES Ballet
Alonzo King, Dirección de escena
Robert Rosenwasser, Diseño de escena, Diseño de vestuario
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Turn It Out with Tiler Peck & Friends: bubbling over with passion
Amanda Jennings, 12th March
Last seen in London in 2023, Turn It Out with Tiler Peck & Friends made a hugely welcome return with the same programme, differently ordered. 
****1
Stylish and stirring: Turn It Out With Tiler Peck & Friends
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Much acclaimed in 2022, a mixed bill curated by Tiler Peck returns to New York City Center with new cast members.  
****1
Alvin Ailey American Dance Theater: sensational dancing
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Moments and misses in American Ballet Theatre's American Splendor
Erin Bomboy, 8th July
American Ballet Theatre shows its range with pieces from George Balanchine, Alonzo King, and Jessica Lang, but the dancing and choreography remain uneven throughout. 
***11
A diverse and entertaining triple bill from Rambert
Graham Watts, 18th May
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***11
An alluring Common Ground
Jaime Robles, 6th October
Abstract ballet always asks the question of meaning, and Alonzo King Lines Ballet is one of the few companies that answers that question with existential exactness. 
*****
Más críticas...
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Alonzo KingAlonzo King LINES BalletJohann Sebastian BachRobert Rosenwasser
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Jaime Robles
Jaime Robles
Jaime Robles has previously written in the San Francisco Bay Area, including for the San Francisco Classical Voice. Also a poet, she has written song lyrics and librettos for several one-act operas, including Inferno (music by Peter Josheff), staged in 2009 by San Francisco Cabaret Opera, and Vladimir in Butterfly Country (music by Anne Callaway), staged in 2012.