An exceptional chamber music afternoon

Por Edward Sava-Segal, 05 abril 2017

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Crítica hecha desde Carnegie Hall: Zankel, Nueva York el 2 abril 2017

Brahms, Sonata para clarinete núm. 1 en fa menor, op. 120

Berg, Four pieces for clarinet and piano, Op.5

Widmann, Fantasy for solo clarinet

Schubert, Impromptu núm. 1 en do menor, D.899

Widmann, Idyll und Abgrund – Six Schubert Reminiscences

Schumann, Fantasiestücke

Jörg Widmann, Clarinete

Dame Mitsuko Uchida, Piano

La ONE da lo mejor de sí: íntima y colosal entre Beethoven y Zemlinsky

Leonardo Mattana Ereño, 2nd December

Uno de los conciertos más destacados de lo que va de temporada que contó con la excepcional pianista Mitsuko Uchida y los solistas Christiane Karg y Christopher Maltman, a quienes la Orquesta Nacional complementó con una interpretación cuidada y equlibrada.

*****

Peerless Beethoven from Dame Mitsuko Uchida at Wigmore Hall

Vishnu Bachani, 12th October

Dame Mitsuko Uchida brings forth with crystal clarity Beethoven's masterful counterpoint and harmony in a recital of his last three piano sonatas.

****1

Uchida’s Beethoven meets Shostakovich’s farewell at Carnegie Hall

Edward Sava-Segal, 23rd April

Two incongruent journeys conclude as Dame Mitsuko Uchida and the Boston Symphony meet in New York.

****1

Delicacy at the cost of spark: Mitsuko Uchida with the Mahler CO

Mengguang Huang, 26th January

While Uchida’s performances showcase remarkable precision and refinement, they occasionally feel restrained, leaving room to explore the improvisatory charm that make Mozart’s music so compelling.

***11

Klaus Mäkelä retrouve le vrai visage de la Symphonie fantastique

Alain Lompech, 5th December

Après une première partie de concert un peu déroutante en compagnie de Mitsuko Uchida, le chef finlandais et son orchestre ont livré une version d'anthologie du chef-d'œuvre de Berlioz.

****1

Philadelphia Orchestra delivers memorable Carnegie Hall finale

Susan Stempleski, 31st May

In their final Carnegie Hall appearance of the season, the Philadelphians offered a superbly integrated program bookending a Valerie Coleman premiere with groundbreaking pieces by Ravel and Debussy.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

Exceptional chamber music afternoon with Uchida and Widmann at Zankel Hall