Spellbinding Schubert and a Pintscher world première from Inon Barnatan at Wigmore Hall

Por George Slater-Walker, 19 septiembre 2013

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde Wigmore Hall, Londres el 18 septiembre 2013

Debussy, Suite bergamasque

Stevenson, Peter Grimes Fantasy (based on themes from Britten's opera)

Ravel, La Valse

Pintscher, whirling tissue of light (world première)

Schubert, Sonata para piano núm. 20 en la mayor, D. 959

Inon Barnatan, Piano

La Sinfónica de Tenerife comienza con éxito su ciclo Schumann

Francisco Martínez Ramos, 4th October

La Orquesta Sinfónica de Tenerife y su titular Antonio Méndez ofrecieron el primero de los tres conciertos dedicados íntegramente a Robert Schumann. Actuó como solista el pianista Inon Barnatan.

****1

Piano trios x 3 from Weilerstein, Jackiw and Barnatan at QEH

Roy Westbrook, 30th November

The classical equivalent to a pop “supergroup” assembles at the Southbank Centre for piano trios by Rachmaninov, Ravel and Beethoven.

****1

Seattle Chamber Music Society launches its 2025 summer festival

Thomas May, 6th July

The Seattle Chamber Music Society opens its 2025 summer festival with a program of striking emotional depth, musical refinement and rapturous ensemble connection.

****1

Eun Sun Kim makes dazzling Boston Symphony Orchestra debut

Kevin Wells, 8th March

Late-career works by Lyadov, Bartók and Rachmaninov dominated the program, which featured Inon Barnatan as piano soloist.

*****

Barnstorming performances from Inon Barnatan at Wigmore Hall

Chris Garlick, 6th October

Inon Barnatan hits the ground running with Ravel in his recital, concluding with his own transcription of Rachmaninov's Symphonic Dances.

****1

Oksana Lyniv makes a dazzling Cleveland Orchestra debut

Frank Kuznik, 11th July

Oksana Lyniv gets the best out of The Cleveland Orchestra, treating the audience to spellbinding versions of charming fables.

*****

Más críticas...

George Slater-Walker

George recently graduated with a BA in Music at Magdalen College Oxford and is now pursuing the life of a horn player in London and elsewhere. His particular interest lies in fin-de-siècle Austro-German music and art.