NDT 1’s Wildsong: innovative dance set to cinematic scores

Por Mark Vicente, 22 febrero 2026

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“Kid in a Candy Shop seems poised to push NDT in new directions, an exciting prospect”

Crítica hecha desde International Theater: Grote Zaal, Ámsterdam el 20 febrero 2026

Kid in a Candy Shop (Jan Martens)

Horses (Marcos Morau)

Nederlands Dans Theater | NDT 1

Fascinante Afanador por el BNE: una brillante y surrealista visión de Andalucía

Cristina de Lucas, 9th February

El Ballet Nacional de España estrena en el Teatro Real Afanador, de Marcos Morau, obra inspirada en la serie de fotografías de bailaores flamencos de Ruvén Afanador.

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Sonoma, el poder galvanizador de lo femenino

Laurine Mortha, 20th January

Una coreografía estimulante, una música galvanizadora y una escenografía onírica: Marcos Morau vuelve con Sonoma, una obra genial que marida el hiperpoder femenino con la tradición religiosa.

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Marcos Morau en majesté dans Afanador au Châtelet

Iris Régnier, 27th March

Inspiré des photographies de Ruven Afanador, Marcos Morau mêle ici la mode, l'image et le flamenco dans un spectacle flamboyant interprété par un Ballet Nacional de España au sommet de son art.

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Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success

Vikki Jane Vile, 22nd February

All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.

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Marcos Morau’s Romeo + Juliet: lessons in volatility

Deborah Weiss, 3rd April

An unconventional dance take on Prokofiev's ubiquitous ballet for Opera Ballet Vlaanderen in Antwerp is not for the faint-hearted.

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Firmamento à Chaillot : Marcos Morau au pays de Miyazaki

Laurine Mortha, 23rd May

Destinée aux adolescents, la dernière création du chorégraphe espagnol met en scène les projections de l’enfance et ce moment où, en grandissant, l’imaginaire se sédimente pour donner forme à un réel qui advient.

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Mark Vicente

Mark Vicente hails from Montreal, Canada and has lived in Amsterdam for the last 10 years. He has over 30 years of experience in the arts and entertainment industry. Mark graduated from Canada’s National Ballet School and was in the corps de ballet with The National Ballet of Canada. He also performed in the Toronto production of Disney’s The Lion King and spent two seasons at The Stratford Festival of Canada. Presently, Mark is completing his MA in Comparative Cultural Analysis at the University of Amsterdam. His Substack, Lives After Dark, focuses on creative fiction and reflective essays on Amsterdam’s nightlife scene.

NDT 1’s Wildsong: innovative dance set to cinematic scores in Amsterdam