A chair and a cello: Yo-Yo Ma shows what matters

Por Thomas May, 09 diciembre 2015

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“a haunting simplicity beyond the complex gestures Bach uses to spin his polyphonic illusionism”

Crítica hecha desde University of Washington: Meany Hall, Seattle el 8 diciembre 2015

Saygun, Partita, Op.31

Bach, Suite para violonchelo, núm. 1 en sol mayor, BWV1007

O'Connor, Appalachia Waltz

Bach, Suite para violonchelo núm.2 en re menor, BWV1008

Bach, Suite para violonchelo núm. 6 en re mayor, BWV1012

Jiping, Summer in High Grassland

Tradicional, El cant dels ocells

Yo-Yo Ma, Violonchelo

El lirismo controlado de Yo-Yo Ma y Kathryn Stott

Leonardo Mattana Ereño, 26th October

Ibermúsica inicia la temporada con una leyenda viva de la interpretación, Yo-Yo Ma, quien, acompañado por Kathryn Stott, ofreció un curioso e infrecuente programa.

***11

Yo-Yo Ma: una singular versión de las Suites para violonchelo

Jorge Baeza Stanicic, 23rd February

De la mano de Ibermúsica, el solista Yo-Yo Ma aborda la monumental tarea de interpretar las seis Suites para violonchelo de Bach en el Auditorio Nacional.

***11

Yo-Yo Ma thrills and enthralls Singapore audience

Chang Tou Liang, 25th September

At the threshold of seventy, Yo-Yo Ma still a box office dream, plays Dvořák with the Singapore Symphony.

****1

Yo-Yo Ma luxuriates in warm Saint-Saëns at Tanglewood

Kevin Wells, 10th August

Two Camille’s anchor the first half of Samy Rachid’s Tanglewood program: Saint-Saëns and Pépin.

****1

Definitive Dvořák from Ma and Honeck on festive Pittsburgh program

Sam Jacobson, 4th June

Yo-Yo Ma returns to Pittsburgh for searing performance of Dvořák’s Cello Concerto. The enjoyable program also includes a tribute to Fred Rogers.

****1

Splendid Shostakovich from Yo-Yo Ma and the Boston Symphony

Susan Stempleski, 24th April

A haunting account of Shostakovich’s First Cello Concerto is paired with a vivid rendition of his Eleventh Symphony.

****1

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Thomas May

Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.

A chair and a cello: Yo-Yo Ma shows what matters in Seattle