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Obra: Fidelio

Buscador de conciertos de música clásica, óperas, espectáculos de ballet y danza
Datos
CompositorBeethoven, Ludwig van (1770-1827)
PeriodoRomántico
Año1814
Tipo de obraOpera / Oratorio
Próximos eventosVer más...

LondresFidelio: The Opera

Fidelio: The Opera
Beethoven: Fidelio
Raffaello Morales; Andrew Coppin; Fidelio Opera Company; Mark Bonney; Thomas Humphreys

ZürichFidelio

Fidelio
Beethoven: Fidelio
Markus Poschner; Andreas Homoki; Zurich Opera; Henrik Ahr; Barbara Drosihn; Andreas Schager; Oliver Widmer

PittsburghBeethoven's “Fidelio”

Beethoven: Fidelio
Manfred Honeck; Pittsburgh Symphony Orchestra; Mendelssohn Choir of Pittsburgh

VienaFidelio Urfassung (Leonore)New production

Beethoven: Fidelio
Tomáš Netopil; Amélie Niermeyer; Wiener Staatsoper; Alexander Müller-Elmau; Annelies Vanlaere; Benjamin Bruns; Thomas Johannes Mayer

EstocolmoLvB250 – Fidelio

LvB250 – Fidelio
Beethoven: Fidelio
Thomas Dausgaard; Malin Christensson; Nina Stemme; Michael Weinius; Karl-Magnus Fredriksson
Últimas críticasVer más...

Una sombra de Fidelio en Madrid

Adrianne Pieczonka y Anett Fritsch brillaron en el estreno de un Fidelio, por otra parte, decpecionante por una dirección pobre y una escena mediocre.

A bold update of Beethoven in Prague

Melanie Diener (Leonore) and Daniel Frank (Florestan) © Hana Smejkalová
Realism elbows aside romanticism in this dark departure from a star-studded tradition.

No protests required: Deborah Warner's Fidelio returns to La Scala

Stuart Skelton (Florestan) and Ricarda Merbeth (Leonore) © Brescia & Amisano | Teatro alla Scala
Chung's mastery of orchestral colour and texture came into its own, the brooding introduction to Act 2 making for a harrowingly apocalyptic representation of tyranny.

Cynicism reigns in Katharina Wagner’s Fidelio in Tokyo

Michael Kupfer-Radecky (Don Pizarro), Ricarda Merbeth (Leonore) and Stephen Gould (Florestan) © Masahiko Terashi | New National Theatre, Tokyo
The most talked about new production in the New National Theatre Tokyo’s 20th anniversary season undercuts Beethoven’s idealism.

A colourless Fidelio in Zurich

Brandon Jovanovich (Florestan), Anja Kampe (Leonore) and Christof Fischesser (Rocco) © Toni Suter (2013)
Celebrating a courageous woman who is able to secure the release of her husband from prison, Beethoven’s sole opera Fidelio has music that is more compelling that its plot.