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Oeuvre: Fidelio

Rechercher des événements de musique classique, opéra et ballet
Fichier de données
CompositeurBeethoven, Ludwig van (1770-1827)
ÉpoqueRomantique
Année1814
Type d'oeuvreOpéra / Oratorio
Événements à venirEn voir plus...

LeedsFidelio

Opera North
Beethoven: Fidelio
Mark Wigglesworth; Opera North; Rachel Nicholls; Toby Spence; Robert Hayward

GlyndebourneBeethoven and Brahms

Beethoven, Brahms
Orchestra of the Age of Enlightenment; Robin Ticciati; Alina Ibragimova; Emma Bell; David Butt Philip

PragueFidelio

Beethoven: Fidelio
Lothar Koenigs; Vera Nemirova; Prague National Theatre Opera; Ulrike Kunze; Clay Hilley; Miloš Horák

BerlinFidelio

Beethoven: Fidelio
Simone Young; Harry Kupfer; Staatsoper Berlin; Hans Schavernoch; Yan Tax; Simon O'Neill; Roman Trekel

MünchenFidelio

© Wilfried Hösl
Beethoven: Fidelio
Markus Stenz; Calixto Bieito; Bayerische Staatsoper; Rebecca Ringst; Ingo Krügler; Anja Kampe; Franz-Josef Selig
Critiques récentesEn voir plus...

Fidelio rescues Garsington Opera's 2020 festival

Toby Spence (Florestan) © Johan Persson
Peter Mumford's intelligent staging concept and a knockout performance by a reduced Philharmonia Orchestra made this a night to remember.

Lise Davidsen leads a revolutionary Fidelio at Covent Garden

Lise Davidsen (Leonore) © ROH | Bill Cooper
An outstanding role debut from Davidsen, a star-studded vocal cast and a revelatory orchestral performance make a Beethoven anniversary performance to savour.

Fidelio in Zurich: singing fine, but staging, “Nein!”

Anja Kampe (Leonore) and Andreas Schager (Florestan) © Herwig Prammer

In its revival here in Zurich, the soloists and choir of Beethoven's Fidelio give stellar vocal performances. But having done away with any real set, the opera was not without its shortcomings.

A bold update of Beethoven in Prague

Melanie Diener (Leonore) and Daniel Frank (Florestan) © Hana Smejkalová
Realism elbows aside romanticism in this dark departure from a star-studded tradition.

No protests required: Deborah Warner's Fidelio returns to La Scala

Stuart Skelton (Florestan) and Ricarda Merbeth (Leonore) © Brescia & Amisano | Teatro alla Scala
Chung's mastery of orchestral colour and texture came into its own, the brooding introduction to Act 2 making for a harrowingly apocalyptic representation of tyranny.