The British countertenor, who’s riding the crest of a wave this year, talks about his passion for good storytelling in opera, his favourite roles and the art of Zen Buddhism.
The legendary mezzo-soprano Agnes Baltsa received a standing ovation while collecting her Lifetime Achievement Award, while other awards went to artists and companies from around the globe.
Classical music’s most lucrative award, of $1 million, has been given to the prestigious French summer opera festival, in particular recognition of Kaija Saariaho’s opera Innocence.
In residence in Manchester with the Hallé, Thomas Adès talks about recent pieces Aquifer and Wreath, and how bigness and smallness are never exactly quantifiable.
How is the classical music world changing? Looking back on a dizzying year, we pay particular attention to performers’ international connectedness. Documenting more than 30,000 events, Bachtrack’s statistics provide valuable insight into an unstable world.
Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.
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