The Toronto-born composer talks about new work Romanza for piano and orchestra, theatricality in music, taking influences from psychology, and the effect on his music of working for the United Nations.
The appointment marks the first formal conducting title of Adèsʼ career, during which he has enjoyed a close relationship with the orchestra as Composer-in-Association.
Brett Dean, Heather Betts and Lotte Betts-Dean sit down to discuss their work on Of One Blood, a new opera dramatising the lives of Elizabeth I and Mary, Queen of Scots – affairs of the family all round.
As the idiosyncratic, laconic Hungarian composer approaches his 100th birthday, we talk to Pierre-Laurent Aimard about his decades-long relationship with György Kurtág, on his unique playfulness and gift-giving.
The Irish soprano talks about singing Mozart’s Così fan tutte with English National Opera, in London and Manchester – and how the wily Despina is the perfectly subversive character for her.
Lawrence is commissioning editor at Bachtrack. He is a composer, improviser, pianist and writer. He has taught at Cambridge, Huddersfield and Sheffield universities. He has written music for, among others the BBC Scottish Symphony Orchestra, Ensemble Modern, Slagwerk Den Haag, Philip Thomas, Juliet Fraser, Ilya Gringolts, Plus-Minus, Exaudi, Apartment House and Explore Ensemble.
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