As the idiosyncratic, laconic Hungarian composer approaches his 100th birthday, we talk to Pierre-Laurent Aimard about his decades-long relationship with György Kurtág, on his unique playfulness and gift-giving.
How is the classical music world changing? Looking back on a dizzying year, we pay particular attention to performers’ international connectedness. Documenting more than 30,000 events, Bachtrack’s statistics provide valuable insight into an unstable world.
Featuring the cream of Hungary’s classical music talent – including the Hungarian National Philharmonic Orchestra – this new competition named after Sir Georg Solti is a prestigious addition to a crowded competitive calendar...
For five decades, Irvine Arditti has been at the forefront of new music for string quartet. Ahead of concerts at Suntory Hall, Tokyo, Arditti talks about his many collaborations with composers – including a long friendship with Toshio Hosokawa.
Lawrence is commissioning editor at Bachtrack. He is a composer, improviser, pianist and writer. He has taught at Cambridge, Huddersfield and Sheffield universities. He has written music for, among others the BBC Scottish Symphony Orchestra, Ensemble Modern, Slagwerk Den Haag, Philip Thomas, Juliet Fraser, Ilya Gringolts, Plus-Minus, Exaudi, Apartment House and Explore Ensemble.
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