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Coco Chanel: the Life of a Fashion Icon is a visually beautiful work about an unscrupulous character and a great addition to Queensland Ballet's repertoire.

Queensland Ballet’s annual Bespoke season presents new works by diverse choreographers, giving both dancers and audiences new experiences.

Queensland Ballet’s delightful Coppélia is fresh and funny, without being superficial.

The music shimmers and the dancers shine in this twisted tale, a comic ballet but with dark undertones.

An icy Götterdämmerung brings Opera Australia's Ring Cycle to a successful conclusion, with standout performances from Lise Lindstrom as Brünnhilde and Andrea Silvestrelli as Hagen.

The tireless Stefan Vinke wows in the title role of Opera Australia's Siegfried, in a production which harnesses technology to excellent effect.

The second part of Opera Australia's Ring Cycle sees digital effects employed with greater restraint, delivering a production that is by turns moving and thrilling. 

The opening Opera Australia's much-delayed Ring cycle contains wonderful visuals, and a standout performance from Warwick Fyfe as Alberich, but also moments of bafflement and excess.

While Tchaikovsky’s music is the biggest star in Queensland Ballet’s Nutcracker, the dancers sparkle and shine in a pretty fantasy world.

The Australian Ballet’s current production of Swan Lake is ballet at its best: beautiful classical dance and music, intense emotion, exquisite costumes, dramatic sets and lighting.

Bangarra’s latest work Yuldea is a powerful piece of storytelling, and a multisensory experience.

Three diverse new creations in Queensland Ballet's sixth Bespoke offered variety and innovation to suit all tastes.

Cathy Marston’s My Brilliant Career premieres in Brisbane within a diverse triple bill that shows off Queensland Ballet's versatility.

The Bolshoi delivers a big, bold, and explosive Spartacus in the way that only the Bolshoi can.

The Bolshoi are beautiful but uncertain dancers of Balanchine in Brisbane.

Vivacious dancing and abundant joie de vivre in La Scala Ballet's Don Quixote

An augmented reality app, film, photos, and a diverse live triple bill feature in Queensland Ballet's latest celebration of emerging and experimental choreographers and artists.

La Scala Ballet delights with a beautifully-danced Giselle for the company's first Australian visit.

A youthfully fresh corps and Victor Estévez hold together this uneven double bill, with Acosta’s troubled Carmen demonstrating the challenges of adapting opera to ballet.

Englishman Laurence Dale’s Göttingen Festival production of Handel’s Agrippina, now presented in the second Brisbane Baroque Festival, is based on the political void between appearance and reality. 

The Perfect American, a fictional account of the final months of Walt Disney’s life, is a visually rhythmic flow of scenic magic on a blended Glass base – gently but harrowingly absorbing.

For many reasons, the ACO’s most recent show The Reef was an artistic experience like no other in all my years of concert-going. It is difficult even categorising the event: an orchestral concert with accompanying video footage? A film with live soundtrack? Neither does full justice to the nature of the project.

Shakespeare’s A Midsummer Night’s Dream and the incidental music by Mendelssohn it inspires both employ a wide range of expressive techniques in their respective medium. Bringing the drama and the music together in one performance, the Queensland Symphony Orchestra and 4MBS Arts Productions delivered an evening of finely tuned light entertainment.