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“An eye for an eye, a kiss for a kiss,” declares Madeleine in the knock-down battle of the sexes that is Paul Abraham's rarely staged operetta. 

When one sees the word “Erotica” in connection with classical music, one is usually safe in assuming that it’s a misprint in the title of Beethoven’s Third Symphony. And yet, at the Australian Chamber Orchestra’s concert on Saturday, it was no Freudian slip: Erwin Schulhoff’s Sonata Erotica, which the composer suggestively marked “nur für Herren” (for men only), was on the program.

Le fameux Ball im Savoy de 2013 fait son retour dans la mise en scène de Barrie Kosky mais aussi avec la distribution de l'époque, donnant lieu à des retrouvailles aussi réjouissantes qu'émouvantes.

Josef Köpplinger zieht für Paul Abrahams Operette erfolgreich alle Register des grellbunten Showtheaters.