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The Exultate choir played alongside His Majesties Sagbutts for an evening of music from St. Mark’s Basilica in Venice, some of which hadn't been heard for over 400 years.

From madrigals to modern music Chanticleer impressed with sumptuous singing in all the genres, in their National Concert Hall recital in Dublin.

As part of the official opening of the new Ames Family Atrium, the Cleveland Museum of Art presented the brilliant twelve-man choral ensemble Chanticleer in a sold-out late evening concert on 30 January.

It’s a long way from modern Durham to renaissance Venice, from a cold winter evening in a small northern English city to a spring morning in one of the richest and most powerful cities the world has ever seen – but Paul McCreesh’s imaginative reconstruction of a Venetian Doge’s coronation mass made the leap almost instantaneous.

The celebrated Giovanni Gabrieli, one of the most innovative and influential composers of the Venetian school, exacting the transition between the Renaissance and Baroque musical periods, died on 12 August 1612.

A competition for young composers run by the National Centre for Early Music may perhaps, at first glance, sound like a contradiction, but the winning pieces, performed tonight by the Tallis Scholars in Durham Cathedral, acknowledged the glories of early polyphonic choral music whilst conveying their composers’ own distinct musical ideas.

The last Sunday night before Christmas is traditionally an evening for carol services, but the Tallis Scholars gave a cool and stylish alternative, performing a selection of works devoted to the Virgin Mary at the Sage, Gateshead.

Gabrieli Consort & Players, liderados por Paul McCreesh, presentaron en el Auditorio Nacional un programa que recreaba la misa de coronación del doge de Venecia en 1595. Obras de los hermanos Gabrieli, entre otros, en alternancia con canto llano y fanfarrias instrumentales, nos hicieron disfrutar de la excelente calidad de un conjunto absolutamente referencial.