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Cecilia Bartoli sang arias written (and not written) for Farinelli like a goddess, putting on and taking off a parade of varigendered costumes to the jubilant virtuosity of Les Musiciens du Prince.

Showcasing the talents of two highly proficient chamber musicians, this was a terrific insight into a lost world spanning the Baroque and early Classical periods.

Colpron évoque le raffinement sentimental, la droiture, l’exactitude ; la chaleur ne manque pas chez lui, mais elle est mesurée.