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The Mother of Us All isn’t an easy work and it’s far from one of Stein’s best pieces of writing. But in this centenary of women’s suffrage, it’s an important one.

Through youth, technology and playfulness, Victorian Opera's production of Gertrude Stein's avant-garde curiosity becomes a refreshing look into the future.

Alek Shrader's Wigmore Hall debut was thrilling, touching, charming and mysterious.

What Wheeldon seems to have used from this musical concept for the formation of the choreography is the idea of a mechanical universe, overrun by the presence of time.

San Francisco Ballet opens Program 2 of the 2016 season with pieces by two cornerstone American choreographers, George Balanchine and Mark Morris, and a world première by British choreographer Liam Scarlett.

American Ballet Theatre’s gala performance for the opening of its New York season was wonderfully varied and matched the level of excitement necessary to kick off a run at the prestigious City Center.

Even Mikhail Baryshnikov was curious to stop by the Brooklyn Academy of Music (BAM) on Thursday March 1st to the witness the world premiere of Mark Morris’ A Choral Fantasy. The work sets movement to the score of Beethoven’s Fantasy in C minor for piano, chorus, and orchestra, Op. 80.