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Criss-crossing and climbed the narrow streets of Balat, the “Music Route” takes in some of the city's hidden gems for intimate chamber recitals. 

Kalmar and Sidorova pair up for a powerful performance of Piazzolla's Aconcagua in Atlanta.

With superb support from Kremerata Baltica and a smart set of soloists, Gidon Kremer continues a love affair that began 25 years ago.

Ivan Putrov, who has enjoyed a long career based in London, brings dancers from his homeland for a special London gala. 

Martha Argerich gives a rare solo performance in the final programme of her festival, performing movements from Tchaikovsky's The Seasons for the very first time. 

Piazzolla rubs shoulders with Lanner and Kreisler at the Martha Argerich Music Festival in Hamburg's Laeiszhalle. 

The Belgrade Philharmonic gave Ana Sokolovic's Concerto for Orchestra a fine performance; two soloists from the orchestra entertained in a Stamitz concerto, and a gripping Brahms First Symphony concluded a splendid concert.

A fantastic all-Tchaikovsky concert in which cellist Natalie Clein gave a magnificent rendition of the Rococo Variations.

A delicious programme from glamour duo Gautier Capuçon and Yuja Wang, reuniting in Franck and Chopin with dynamism and depth – and a killer encore.

A major work going well beyond tango by Astor Piazzolla and a fresh introduction to African-American composer Florence Price highlight a concert that tries a bit too hard to please

A four-year sojourn is brought to a brilliant finish by Orquestra de Cadaqués.

A fine Planets from Eiji Oue and the Belgrade Philharmonic crowned a splendid concert despite a flawed “Neptune” after Simone Rubino had explored the music of the Earth.

In Autumn the cicadas are out in force at Wigmore Hall...

Now an ever-developing city, Budapest has become much more than faded grandeur, actually, and the Hungarian National Ballet’s recent moves reflect just that

When a hurricane floods your symphony hall, and you have to scrap and replace programs according to new venues and limited rehearsal time – all with an aim to soothe a city in distress – what do you play?

As generations of dancers move on and off the stage, working hard for their very short lived moment in the spotlight, we can rest assured that there will be many classic Van Manen pieces in the repertoire for them to dance.

Tango infused contemporary dance sizzles on a hot summer evening. Sometimes tempestuous, sometimes tender; four couples oscillate between summer storms and wintry chills. Tangent, choreographed by Martin Lawrence opens a triple bill by the Richard Alston Dance Company at Sadlers Wells. He draws inspiration from Las Cuatro Estaciones Porteñas played on stage by pianist Jason Ridgway. 

Milhaud reported “a spirit of carefree gaiety reigned” in 1920s Paris, a spirit Marcela Roggeri and François Chaplin's varied programme aimed to evoke.

Contemporary Dance comes to The Lowry with a triple bill: An Italian in Madrid, Tangent, and Chacony. From Naples to Madrid; South America to Britain, a diverse, musical programme.

Latin American and Spanish music at the medieval Turku Castle in the heart of the former capital of Finland. A perfect way to spend a Sunday afternoon. 

Italy viewed through the eyes of a Russian tourist, of visiting Europeans reading Dante and through the eyes of South American emigrées, with added tango. 

In a former ballroom in the up-and-coming Neukölln district, the orchestra’s chamber ensemble presented an eccentric programme of music by oddballs and outcasts.

A remarkable evening of exceptionally fine pianism and inventive programming, featuring seven of the UK's leading pianists in rich and varied repertoire.

The Katona twins guitar duo conjured up the many moods of Spain and South America in a lunchtime recital of music by Falla, Albéniz, Granados and Piazzolla.

Serebrier and the ECO deliver fine performances of Haydn, Beethoven and Vaughan Williams.  

Guy Johnston and friends in a varied programme of works and arrangements for 12 cellos, joined by soprano Golda Schultz in tender and spirited Villa-Lobos.

For those more familiar with grim-faced matronly Salvation Army accordion players, voluptuous virtuoso Ksenija Sidorova certainly breaks the mould.

Craig Ogden in Castelnuovo-Tedesco's Guitar Concerto no. 1 is the highlight of the Northern Chamber Orchestra's varied concert of (mostly) Italian music in Macclesfield.

Piazzolla's "tango operita" is confusing, weird but full of the unique character of his music, performed superbly by an orchestra which mixes jazz and classical feel.

The Scottish Ensemble on lively form is joined by exciting Venezuelan pianist Gabriela Montero to explore the links and influences of Bach and Mozart on modern South American composers.  

McFall’s Chamber brings a freshness to its repertoire as it revisits the Bongo Club years, and performs two newly commissioned pieces. Informal and very enjoyable.

A free public concert with Orpheus Chamber Orchestra and celebrated friends chosen for the 10th anniversary celebrations of the Colombian festival.

Young Russian violinist Yury Revich gets a rapturous response from Leipzigers.

Piano, cello and marimba prove a tricky combination for Piazzolla's Four Seasons of Buenos Aires, in a concert which interleaved them with newly written pieces by Latvian composers.

The Royal Northern Sinfonia directed by Bradley Creswick and featuring the guitar soloist Craig Ogden offer an enterprising mixture of works and styles.

Soloist Barnabas Kelemen impresses in Szymanowski's Violin Concerto no. 2, while conductor Alexander Shelley impresses with a chirpy Classical Symphony and a brooding Walton First Symphony.

The Manchester Camerata directed by Giovanni Guzzo gave moving, entertaining and expressive pieces by Pärt, Mozart, Piazzolla and Britten with Guzzo and pianist Gabriela Montero as soloists.

Septime Webre's Great Glorious Latin Ballet 'Mash-up' energises the DC ballet crowd.

Friendschip, new discoveries and variety of musical expressions at the opening concert of the 10th Pianoscope Festival in Beauvais.

McFall's Chamber was full of surprises exploring 20th century music from the Baltic. The Finns' love affair with the Tango contrasted with passionate brooding Baltic landscapes – and there was a saw.

In Amsterdam, Joshua Bell led his Academy of St Martin in the Fields on an adventurous, crowd-pleasing journey that demonstrated his ensemble’s versatility.

An action-packed, generous concert by the Orquesta Filarmónica de Mexico UNAM conducted by Jan Latham-Koenig at the Cadogan Hall.

The Norwegian string ensemble enthuse the audience at Leeds Town Hall with Bartók's Divertimento for String Orchestra and Britten's Variations on a theme of Frank Bridge.

It’s not common to see a full hour of solo harp music, incorporating music of many types from late Baroque to the 21st century. It has left me far better educated as to the breadth of which this instrument is capable.

The youthful duo, British Violinist Thomas Gould and Latvian accordionist Ksenija Sidorova took to the stage at the intimate St George’s Concert Hall for a more relaxed ‘Late Night Classical Café’.

Paris and accordions have a very unique relationship, almost “Marmite” in nature: tourists love it, locals hate it.

The Royal Concertgebouw Orchestra surprises by breaking conventions in their 2014 Kennismakingsconcert ('meeting concert'), combining Vivaldi's and Piazzolla's Four Seasons.

A velvet-smooth bass-baritone voice, matinee idol looks and magnetic stage presence have made Erwin Schrott into one of opera’s big international stars. Last night, however, festivalgoers at Budapest’s Comedy Theatre saw him excel in a very different musical form: the Argentinian tango music whose leading composer was Astor Piazzolla.

Considering the sheer wattage of Yo-Yo Ma’s name, it was not his playing alone that stole the show; rather, the magic of this performance existed in the act of collaboration between two artists.