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The International Contemporary Ensemble performs a program of Hannah Kendall at Columbia University’s Miller Theatre.

An eclectic programme including evocative Sámi joiks from and powerful Shostakovich performed from memory by the Norwegian Chamber Orchestra.

The London Sinfonietta blends premieres and poetry in a confusing evening at the Southbank Centre. 

Pappano leads a masterful program of protean compositions by Hannah Kendall, Strauss and Liszt, joined by Jean-Yves Thibaudet. 

A concert that felt timely enough to be a newspaper, with new and recent pieces on war, technology and remembrance.

A world premiere from Hannah Kendall, a rarely performed work by Liszt and one of Strauss' glittering tone poems make up Pappano's first concert as the LSO's Chief Conductor Designate.

An unusual collection of five disparate shorter orchestral works made for a fascinating celebration of Sir Simon Rattle’s musical enthusiasms over his career.

In his rendition of Beethoven's C minor Concerto, Yefim Bronfman's ability to mix powerful and graceful statements was as amazing as ever.

As if they’d never been apart, Andris Nelsons and the Boston Symphony Orchestra pick up where they left off a year ago, with a vibrant Eroica and two mesmerising contemporary pieces.

The Royal Opera House responds to current global turmoil with a double bill by four women composers. Baritone Peter Brathwaite delivers a tour de force in The Knife of Dawn and A New Dark Age is a powerful emotional journey.

A vibrant evening of dance and drama from the London Symphony Orchestra in music by Bartók, Strauss, and Hannah Kendall.

A programme of new music and 20th-century classics reflects on loss, war, inhumanity and redemption. 

An late evening of shorter works from the Chineke! Orchestra provided a varied and exciting programme from baroque works to a world première.

This Richard Thomas Foundation concert at Southbank Centre’s Purcell Room introduced us to two completely new works, and presented two slightly older pieces too for good measure. All were beautifully played by a top selection of performers, making for an excellent demonstration of the power of new music.

En la segunda velada en Madrid, la LSO estrenó una brillante obra de Kendall y contó con la presencia incontestable de Alice Sara Ott.

Pour le plus grand bonheur du public, l'Orchestre des Jeunes de la Méditerranée se réunit de nouveau au Grand Théâtre de Provence après une session 2020 complètement à distance.

Jonathan Bloxham dirigiert einen trostvollen Musikgenuss, der die Nachteile eines gestreamten Konzerts über lange Strecken vergessen ließ.