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The BBC's annual classical jamboree is launched in fine style with a premiere and a timely revival, conducted by Sakari Oramo. 

Featuring the clear-voiced and assured soprano Mary Bevan, Bliss’ Rout seemed less dated than others in this performance.

An account of The Beatitudes that will do much to reassess this neglected work was coupled with a polished “Enigma”.

Two classic scores by Berlioz and a musical memorial to Bliss’ brother made a deep impression. 

Judith Weir's music didn't have the pride of place it deserved at this miscellaneous collection of music from past and present Masters of the Queen's Music, presented by the Park Lane Group at the Sam Wanamaker Playhouse. 

On Thursday evening, the Chamber Music Society of Lincoln Center presented its inaugural concert of the 2013-2014 Late Night Rose series. On the stage of Lincoln Center’s Daniel and Joanna S. Rose Studio, performers put on a delightfully curated show, featuring the works of three lesser-known Western composers: Arthur Bliss, Karol Szymanowski, and Josef Suk.

Manchester’s musical history is extensive and impressive. Ranging from the founding of the UK’s oldest professional symphony orchestra (the Hallé – founded in tandem with the UK’s oldest and largest specialist music shop, Forsyth Bros. Ltd.

As I took my seat at Saturday’s concert by the Nash Ensemble, one in a series entitled “Dreamers of Dreams” put on as part of their residency at the Wigmore Hall, I wondered what I was about to let myself in for.

This was a fine demonstration of the fact that the Three Choirs Festival is not just about singing. Nor is it confined to the cathedral, as this morning’s recital took place in the elegance of Hereford’s Shirehall.

War on a chess board; simplicity and purity of line; and a rollicking Victorian nonsense musical—all rolled into one evening in London this week. Autumn Glory was a true mixed bag of styles and tempos, and recalled Birmingham Royal Ballet’s heritage that had its beginnings at Sadlers Wells Theatre.