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The Sixteen's Choral Pilrimage dissolves the boundaries between old and new, sacred and profane with striking performances of music by Cornysh and Britten. 

Entitled “Passion and Resurrection”, this exquisite concert from Stile Antico unfolded as an exploration of music written in response to Holy Week.One of the group’s most striking characteristics is their decision to work without a conductor, a move which can at times produce chamber music of the highest quality.

Frequent concertgoers in our modern age will be all too aware of the irritation factor of mobile phones going off during performance. The King’s Singers, however, make a feature of the phenomenon and take it to another level. This world-class ensemble delighted a packed Hereford Cathedral, the closing concert of their 2011/12 season coinciding with the Three Choirs Festival.

Matching ties. Sharp suits. As they strode onto Cadogan Hall's stage, New York Polyphony were already living up to their image, one hand-tailored to New York's intellectual, social-media savvy hipsters. It wasn't long before they proved that style went hand-in-hand with substance, in a programme outstanding in vocalism and musicality.

There’s a trend amongst programmers nowadays to provide concerts with a ‘hook’: an extra-musical incentive to pull the punters in, or at least help performers pinpoint their pieces.

El grupo Alamire interpretó un programa renacentista difícil con gran oficio, delicadeza y soltura.