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Les Ballets de Monte-Carlo presents three equally riveting ballets in a triple bill of abstract works from Christopher Wheeldon, Sharon Eyal/Gai Behar and Jean-Christophe Maillot.

Dancing Dutch for Dutch National Ballet comprises four different works, not all by Dutch choreographers, which show off the depth and breadth of a company in great shape.

A balance of classical, contemporary and folk dance, showed off the versatility of The Royal Ballet School's students at every stage of their training and the results were extremely pleasing.

Crystal Pite’s Angels’ Atlas offers a strange closer for the NBC's program in their brief run at New York City Center.

The first post-lockdown performance by The Royal Ballet offer an important indicator for the company's future.

A complete roster of principal dancers appear in a gala full of the joys of spring. 

The whole Company exudes bravura and panache in gala programme headlined by a Zucchetti premiere and a Wheeldon classic.

An event that will be long-remembered for the importance of the occasion, if not for its content. 

A celebrity lineup of SDC alumni, experimental audience participation, and the usual virtuosic dancing make for a fun anniversary night.

An exciting London season closes with a glimpse of where ballet is headed, San Francisco style. 

A mixed bill of modern work showcases the diverse talents of The Royal Ballet.

Unbound by restrictions, they’ve been given free rein to create, implement and demonstrate to the world what contemporary ballet looks like. Hint: it looks great.

Changes in pace for a brilliantly dynamic company.

The Royal Ballet revives Kenneth MacMillan’s The Invitation, to great public acclaim and with excellent performances in the main roles. The programme also features McGregor's new Obsidian Tear and Wheeldon's Within the Golden Hour.

Wayne McGregor pulls together a stellar all male cast for the Royal Ballet's world première of hisnew work, Obsidian Tear. 

The Royal Ballet premieres Christopher Wheeldon's Strapless, and performs two other ballets by the choreographer for the first time.

It must be exciting to be a member of San Francisco Ballet, America’s oldest ballet company, founded in 1933. These classically trained dancers are given the opportunity to sample many wonderful new works, rather than a repertoire of old traditional masterpieces.

Choreographer Rafael Bonachela and composer Ezio Bosso have collaborated with tremendous success once again to create 6 Breaths. Performed by the Sydney Dance Company, 6 Breaths is a composition inspired by six forms of breath. It was followed by a second work called LANDforms, an emotional response to the effect of weather elements on landscapes.

Avec son programme O ,le San Francisco Ballet nous propose un parcours chorégraphique émaillé d’œuvres désormais inscrites dans la tradition de la danse et de chorégraphies plus récentes.