Katherine Baker and Lucy Wakeford delighted in Mozart, Debussy and Fauré with the Northern Chamber Orchestra in a concert crowned by an undeservedly rare symphony by Haydn.
A fresh take on timeless classics keeps the interest high in this concert featuring cellist Julian Schwarz and conductor JoAnn Falletta leading the Virginia Symphony Orchestra.
Edinburgh Fringe’s late-night candlelit atmosphere: a packed St Patrick’s for a lovely Fauré Requiem from St Andrew Camerata and beautiful and haunting The Last Exit for soprano and clarinet at Old St Paul’s.
The Nash Ensemble exploited its versatility in a wide-ranging and enjoyable programme of French chamber music and song featuring soprano Rebecca Evans.
A new score by Melinda Wagner, concertante pieces for saxophone and orchestra with Branford Marsalis, and works of Bizet and Debussy comprised Susanna Mälkki’s CSO program, intriguing in its eclecticism.
Despite being a little rough and ready at times, the Rodolfus Choir and superb Philharmonia captured a moving sense of stillness in these two popular works
The Atlanta Symphony, under Principal Guest Conductor Donald Runnicles, was joined by one of its own, flute soloist Christina Smith, in fine performances of late 19th-century are mid-20th-century French music.
A religious-themed program made for a particularly moving Easter weekend concert from Dutoit and the CSO, highlighted by the serenity of Fauré’s Requiem.
Cellist Gautier Capuçon and pianist Frank Braley are artists I have previously admired in many chamber ensemble concerts, but their recital at Kings Place was the first time I heard them as a duo.
Cristian Măcelaru and the Hallé give exemplary accounts of Fauré's Dolly Suite and Prokofiev's Romeo and Juliet, whilst Mozart's “Jeunehomme” Concerto with soloist Heejae Kim is variable and lacks instrumetal balance.
Nezet-Seguin and his Philadelphians convey the brilliance and sophistication of France's undisputed "golden age" of classical music with works by six Parisian composers.
Who would think that a symphony concert featuring Schoenberg and Dutilleux would sell out? Well, it did – in Tokyo. Bravo to the Tokyo Metropolitan Symphony Orchestra for its daring programming.
The Los Angeles Philharmonic's last week of its classical music season at the Hollywood Bowl began with romantic French music under an almost full moon played the sexy Seattle way.
French-Canadian pianist Louis Lortie brought Italy to London in a lunchtime recital which perfectly captured the vivid sights, sounds and colours of Naples and Venice.
A lush programme of Fauré, Stravinsky, and Poulenc is let down by Minkowski's erratic conducting, but is partially redeemed by two of France's fastest rising singers.
The legendary Kings College Choir, Cambridge, conducted by their very own Stephen Cleobury, was accompanied by the Orchestra of the Age of Enlightenment on period instruments at the Royal Albert Hall.
Debussy, Ravel and Fauré: turn of the century Paris. We might think of hazy perfumed music, but the richness of the Scottish Ensemble brought out a bold, vibrant and dynamic side to the French dreams.
One of America's high quality regional orchestras premieres a new Amercan piano concerto by Kenneth Fuchs, along with presenting a trio of French orchestral gems.
Harriet Krijgh and Gustavo Gimeno excel in their Liverpool debuts, and the RLPO earn a rapturous reception for a ravishing Scheherazade, destined to remain long in the memory.
Waiting for sunrise while listening to the Orchestra Filarmonica La Fenice, brilliantly conducted by Alvise Casellati, created an emotional effect in the audience
Presenting a cello—piano recital of mostly Gallic works spiced up with a contemporary British composition might appear counter-intuitive to most musicians. Not so to Steven Isserlis, who performed an unusual, challenging, inspiring and highly satisfying concert with pianist Connie Shih in Sydney on Monday night.
A fascinating recital from Hélène Grimaud at the Barbican balanced a first half sequence exploring works with an aquatic theme against some monumental Brahms.
Having recently retired after a herniated disc weakened his bowing arm, Julian Lloyd Webber took to the stage last night at St George’s, Bristol as part of a tour he had created to tribute and reflect upon his performance career as one of the world’s leading cellists.
