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A celebration concert of Feldman's Rothko Chapel ticks all the boxes for a great show. 

A fond farewell to the Yomiuri Nippon Symphony Orchestra from its Principal Conductor for the past nine seasons.

Excellent performances of Scelsi's Uaxuctum and John Luther Adams' prescient Become Ocean were by accompanied by an impressive, but ultimately distracting audiovisual display.

The “Festival Tour” and its three-venue concerts of the Davos Festival programme included almost as many visual and outdoor delights as it did musical treats. 

The violinist Patricia Kopatchinskaja's endless curiosity was on display at a recital of duos with cellist Jay Campbell at the Park Avenue Armory. 

In a former ballroom in the up-and-coming Neukölln district, the orchestra’s chamber ensemble presented an eccentric programme of music by oddballs and outcasts.

Many a dark tone roamed inside the Muziekgebouw as lovers of daring, opinionated orchestral music gathered there one day after the Mayan calendar ended. Diverse interpretations of apocalyptic fantasies and prophecies unfolded during this night. Apocalyptic, in its literal Greek meaning: revealing, disclosing.

Tissant un passionnant fil rouge entre des pièces de Scelsi et le Stabat Mater de Pergolèse, Castellucci recompose un livre d’images et de musique grâce à des tableaux vivants saisissants.

La la Orquesta Sinfónica do Porto ofreció una reveladora experiencia al conectar en una sola velada dos figuras de mundos sonoros, en principio, antagónicos.

L'Ensemble intercontemporain propose une balade dans un « jardin musical », une rencontre entre œuvres, entre électronique et instrumental, mais aussi entre musique et plastique, lumière, dramaturgie. Une soirée magique d'une immense poésie.