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Though Bournonville himself saw A Folk Tale as his finest work, it’s rarely performed outside Denmark. The Royal Danish Ballet bring fleet-footed buoyancy to it all.

Anthony Almeida and Rosanna Vize's deconstructed ghostly country house provides plenty of tension; fine vocal qualities are marred by poor intelligibility.

After a twelve year absence from his schedule, the Norwegian pianist returns to the classic warhorse in a bracing concert given by Concerto Copenhagen. 

Dénise Beck shines as the Princess Sidi in the Royal Danish Opera's production of Friedrich Kuhlau's Lulu, receiving its first performances in 180 years.

Kasper Holten's production of Carl Nielsen's delightful comedy Maskarade delights in Copenhagen.

The Royal Danish Opera's new production of Carl Nielsen's first opera Saul og David updates the action to the present-day Middle east and, while well-sung, comes off as overly simplistic.

Zombie clowns abound in Stefan Herheim's uncomfortably comical and upsetting Copenhagen production of Alban Berg's Lulu.

Malin Hartelius and Palle Knudsen electrify an otherwise competent Don Giovanni in Copenhagen.

Admittedly, it has been quite some time since I heard a St Matthew Passion in a concert hall as opposed to a church. The Concert Hall of the Danish Radio in Copenhagen is an impressive building both inside and out; it was well-filled and buzzing with excitement for a passion featuring the radio orchestra, choir as well as young and attractive international soloists.

Une distribution vocale de très bon niveau, un orchestre en excellente forme, une mise en scène convaincante : la nouvelle production de l'opus mozartien à l'Opéra royal du Danemark est une réussite.

Si la direction musicale de Paolo Carignani, l'orchestre et les chœurs impressionnent, l'ensemble de la production est plombé par une mise en scène caricaturale, tandis que la distribution laisse une impression mitigée.