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Domingo Hindoyan has a bright future in Liverpool, as he conducts his new orchestra in Beethoven's Ninth.

The RLPO with their new chief conductor herald a return to full-scale orchestral performances with an evening of dances, plus Clara Schumann's far too rarely heard Piano Concerto. 

Vasily Petrenko's time as Chief Conductor of the Liverpool Philharmonic draws to a close with a celebratory evening of Shostakovich, Schreker and more.

Dvořák's Cello Concerto takes star billing after Rory Macdonald conducts the RLPO in Wagner's Siegfried Idyll.

An era is drawing to a close in Liverpool, but here Vasily Petrenko makes a greater case for the neglected Franz Schreker than for one-dimensional incidental music by Shostakovich.

Poulenc's elegant, witty Sinfonietta is followed by dramatic depictions of Spain in flamenco-infused ballet music by Gerhard and de Falla.

The longtime chief conductor proves his mettle once again, delivering an exciting and memorable Beethoven Second Symphony. 

The RLPO and Vasily Petrenko gave a fine concert of lesser-known Stravinsky to commemorate the 50th anniversary of the composer's death, including the Concerto for Piano and Wind Instruments with Steven Osborne as soloist. 

Poised performances of Fauré and Mozart from Stephanie Childress and the RLPO and expressive Britten with tenor Peter Hoare.

Jennifer Johnston shone in Respighi's glorious Il tramonto and the RLPO showed off their solo skills in Ginastera's Variaciones concertantes. 

Julian Bliss' stunning playing of Weber Second Clarinet Concerto and Vasily Petrenko's conducting of the RLPO in Haydn made for an uplifting concert.

Stephen Hough, Joshua Weilerstein and the Liverpool Philharmonic formed a great partnership in Beethoven's Emperor Concerto plus an unsettling account of Bartok's Divertimento.

Joshua Weilerstein returns to Liverpool with a rewarding programme of Rossini, Stravinsky and Beethoven.

Rebecca Tong made her debut with the RLPO in a delightful programme of Sibelius, Beethoven and Schubert in the Philharmonic Hall.

Andrew Manze conducts the RLPO in a performance of Bruckner in which beauty was always kept to the fore

Nine symphonies, five orchestras, two days: an immersive weekend as part of the Barbican's Beethoven 250 coverage featuring some of the UK's finest orchestras. 

The Royal Liverpool Philharmonic Orchestra give the UK premiere of one of André Previn's final works, while Joshua Weilerstein’s Rite of Spring brings a devastating blow in a programme of unique musical voices.

Vasily Petrenko opens his penultimate season with RLPO in raucous style.

As part of their ‘summer’ season, Vasily Petrenko conducted the RLPO in Mendelssohn’s sunny “Italian” Symphony. Boris Giltburg uses Beethoven’s Emperor as a showcase for his flawless talents.

Vasily Petrenko conducts Zemlinsky, Mendelssohn and Bruch in Liverpool.

The Royal Liverpool Philharmonic Orchestra present a programme of Rossini, Paganini and Dvořák with Michele Mariotti conducting, but it’s Ray Chen who steals the show.

Liverpool’s Philharmonic Hall was plunged into luscious sunshine with music from across the Tropics. The first half was filled with the sounds of Latin America before a nautical Arabian tour.

Tchaikovsky’s warhorse piano concerto is given a performance stripped of all showmanship. Britten’s The Young Person’s Guide to the Orchestra completes this oddly programmed concert from the RLPO.

Robert Trevino conducts the RLPO in a stormy Mahler 5th after a deeply personal account Mozart's Clarinet Concerto by Julian Bliss

Vasily Petrenko and the RLPO gave a deeply moving performance of Sibelius's Fourth Symphony, following exquisite Peer Gynt and a stylish Beethoven Third Piano Concerto with Beatrice Rana.

Francesco Piemontesi performed Brahms’ monumental second concerto with captivating results, followed by Andrew Manze’s carefully considered interpretation of Mozart’s Jupiter symphony in Liverpool’s Philharmonic Hall.

RLPO debutante Kahchun Wong makes a distinctive first impression in a programme of iconic works from the 20th century.

Jennifer Higdon's blue cathedral holds its own alongside more familiar American pieces by Adams and Barber plus the “New World” Symphony.

The RLPO and NDR Radiophilharmonie Hannover join forces for Britten's War Requiem.

In the week of remembrance, Sheku Kanneh-Mason played Elgar’s Cello Concerto with a level of British reverence, while Andrew Manze concluded with some exquisite Ravel. 

A trio of Soviet composers provided thrills and spills in Liverpool, under popular Chief Conductor Vasily Petrenko.

On reaching the second instalment of his Brahms cycle, Vasily Petrenko brings a fresh breath of alpine air to Liverpool, while George Li impresses in Rachmaninov’s ever popular Second Piano Concerto.

Bringing their residency to a close, Anderson and Roe perform Mozart’s concerto for two pianos. Anu Tali makes her RLPO debut with Bernstein, Tubin and Sibelius.

Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra offer a stunning palette of orchestral colours in Elgar, Bell, Strauss, and Bartók.

Andrew Manze conducted the Royal Liverpool Philharmonic Orchestra in two English choral pieces; Stephen Hough brought a fitting conclusion to his Beethoven concerto cycle as artist-in-residence. 

A highlight of Royal Liverpool Philharmonic's season, tackling a piece not attempted by the orchestra for almost 50 years.

Symphonies by Glass and Rachmaninov played by the Royal Liverpool Philharmonic Orchestra show how time doesn't always flow at the same rate.

Philip Glass' 80th birthday is celebrated in style by Vasily Petrenko and The Royal Liverpool Philharmonic in the UK première of his Eleventh Symphony, alongside vibrant performances of Dvořák and Scriabin.

Evgeni Bozhanov marks his Liverpool début with the RLPO under the watchful eye of conductor Marzena Diakun. 

Petrenko and the RLPO tackle familiar Berlioz and unfamiliar Kodály and Szymanowski.  

Keyboard virtuoso Trifonov delivers a stunning rendition of Rachmaninov's Fourth Piano Concerto at Birmingham's Symphony Hall. 

Soviet Realism rubs shoulders with Romanticism and a new British work in Liverpool.

Cristian Mandeal and the RLPO offer an evening of mixed fortunes, with Brahms' Third Symphony not reaching the same level of inspiration as Saint-Saëns' Piano Concerto no. 2.

The Royal Liverpool Philharmonic Orchestra and Vasiliy Petrenko make a guest visit to Sage Gateshead, bringing their contributions by Ravel and Rachmaninov to this year's concert theme of Dance.

Petrenko and the RLPO produced a Rachmaninov symphony that ticked all the boxes, a scintillating world première from Emily Howard and a Shostakovich concerto with an impressive replacement soloist.

To celebrate their ten year partnership, Vasily Petrenko and the RLPO serve up a hearty Russian meal with a British-Italian hors d'oeuvre.  

Vasily Petrenko and the RLPO perform an all-Russian programme, with an exceptional Rite of Spring and charismatic playing from solo harpist Catrin Finch. 

On a balmy evening in Liverpool, Vasily Petrenko led the RLPO in two works that explored differenet apsects of lamentation, preceded by a Straussian toboggan ride.

Under the baton of Simon Wright, the RLPO and the Leeds Festival Chorus gave an exciting rendition of Tippett’s A Child of Our Time.

Christian Lindberg conducts the RLPO in the premiere of his own Robot Gardens alongside music by Bernstein and Nielsen