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Canadian Opera Company’s revival of John Caird’s art-infused production is perfectly realised in singing, acting, and the orchestra’s vibrant yet velvety colours.

Young Egyptian-New Zealand soprano Amina Edris makes a great impression in a revival of Arin Arbus’ strong 2015 production.

David Alden’s muddled clichés failed to convince all the time, but Edward Gardner steered us through a thrilling musical account of Tchaikovsky’s terrific opera.

Marie-Nicole Lemieux tackles Saint-Saëns' Dalila for the first time and exceeds all expectations. 

This November, the Opéra de Montréal celebrates Verdi’s bicentennial with a laugh, presenting his comic opera Falstaff. The revival of David Gately’s production, originally produced by Glimmerglass Opera and the recently deceased New York City Opera, received no shortage of snickers during Saturday’s première performance with Opéra de Montréal.

La nouvelle production de La Traviata de l'Opéra de Québec est d'un luxe vocal inouï malgré quelques faiblesses sur le plan dramatique.

La première du nouveau Vaisseau fantôme au Festival d'opéra de Québec charme par la proposition scénique originale de François Girard mais déçoit beaucoup sur le plan vocal et orchestral.