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Mary Miller bows out after ten years at the helm of Bergen National Opera with a defiant account of Mozart’s final opera. 

After staged performances in Baden Baden, the Berlin Phil's Parsifal is presented in concert at the Philharmonie, with a couple of key cast changes. 

Dieter Dorn’s staging robbed Wagner’s final masterwork of magic and mystery while Simon Rattle set new speed records.

After over a century, Debussy's Pelléas et Mélisande finally received its Norwegian première in a fascinating production by Barbora Horáková Joly.

Looks can be deceiving in this beautifully sung revival of Thaddeus Strassberger's Oslo production of Mozart's The Marriage of Figaro.

Le nozze di Figaro is called Figaro’s Bröllop in Swedish, which sounds quite funny to ‘non-Svensks’. With Marcellina behaving like a total trollop, all that is needed to complete the rhyming triplet are the Wallops at Glyndebourne.

“Acting is the expression of a neurotic impulse. It’s a bum’s life,” stated the late, great Marlon Brando. Felix Breisach took this idea to heart when staging his modernized Figaro in a mental institution.

Calixto Bieito's The Tales of Hoffmann at the Norwegian National Opera contains some very effective and at times striking moments, but the production turned out something of a disappointment overall.

Entering the Norwegian National Opera for their season opener of Mozart’s Le nozze di Figaro, I imagined it would be a pretty conventional production and was hoping for some good singing. Turns out, I was only partly right.

Nothing says “Happy Easter” like a bit of alcohol-fuelled murder on the church steps, right? With their new double bill of Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci, the Norwegian National Opera certainly seems to think so!The two productions were done on practically the same sets, albeit with a few differences, which did create a rather wonderful sense of continuity from the fir

When one thinks of Haydn, opera really isn’t the first thing that comes to mind. It’s the symphonies, the string quartets, even his oratorios you think of first, not his operas. And yet he wrote 15 of them. L’isola disabitata is the eleventh of the bunch, written for the Eszterházy court in 1779, and it was this opera The Norwegian Opera and Ballet (DNO) chose as their 2012/2013 season opener.

La mise en scène de Marco Arturo Marelli et Enrico De Feo se veut fondamentalement ancrée dans le contexte historique de la création de l’œuvre mozartienne.

Quoi de plus cohérent pour une saison versaillaise célébrant le tricentenaire de la mort du plus absolu des monarques français, que de programmer les subversives Noces de Figaro à l’Opéra Royal ?