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The Master and Margarita is a spectacular extravaganza indeed, streamed from Hungarian State Opera's Eiffel Art Studios.

A simple, noble and dramatic escape from the present day as the company dances Michael Messerer’s updated (slightly shortened) version of the Vainonen classic.

A ballet to be enjoyed for its visual spectacle, strong and purposeful choreography and a pacy momentum that builds into a rousing finale.

In addition to providing a showcase for the principals, the ballet provides ample opportunity for the company's soloists to shine.

A double bill that focuses on the purity of classical ballet form, in a fine combined 70th Anniversary celebration, excellently performed by Hungarian National Ballet.  

Now an ever-developing city, Budapest has become much more than faded grandeur, actually, and the Hungarian National Ballet’s recent moves reflect just that

The Hungarian National Ballet brilliantly closes the season with the world premiere of Marianna Venekei’s version of Tennessee Williams’ classic A Streetcar Named Desire on music by László Dés.

A memorable Manon in Budapest 

The Hungarian Nation Ballet presents a stunning programme in which Kyliàn's Black and White masterpieces are paired with Lander's polished Études.