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A rare chance to see the first extant opera written by a woman, Francesca Caccini's La liberazione di Ruggiero dall’ isola d’ Alcina. 

The Boston Early Music Festival Orchestra led by Robert Mealy, with soprano Emőke Baráth and dancers Caroline Copeland and Pierre-François Dollé, showcase Rameau's vitality and originality.

A riotous double bill of Pergolesi at the Boston Early Music Festival.

Handel's La Resurrezione, anchored the Boston Early Music Festival’s Thursday programs in a dramatic reading by many of the same forces performing Campra’s La Carnaval de Venise.

In spite of superb performances from the Boston Early Music Festival Orchestra and the two lead soloists, Steffani’s Niobe at the Concertgebouw offers too few inspired moments to make it truly memorable.

Le Boston Early Music Festival Orchestra et pas moins de neufs chanteurs issus de différents horizons étaient réunis pour l’exécution du septième opéra en trois actes du compositeur italien Agostino Steffani, Niobe, Regina di Tebe.