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The Estonian Philharmonic Chamber Choir shows poise and elegance in works by fellow Estonians Arvo Pärt and Veljo Tormis. 

The Festival d'Aix-en-Provence gives us a definitive performance of Wagner's opera – but for listening only.

A portrait concert of music by Arvo Pärt, while single-mindedly contemplative in tone, proves surprisingly absorbing in the hands of his most authoritative interpreters.

The Estonian Philharmonic Chamber Choir deliver the goods on home turf.

For their 2019 season-opener, Tognetti and the ACO collaborate with the Estonian Philharmonic Chamber Choir to give a meditative, quasi-religious program centred on Bach and Pärt.

A bird's-eye view of Gustavo Dudamel's opening concert in the LA Phil's Mozart-Pärt cycle.

The Estonian Music Days end with a recital of choral music that often proved challenging, but not in a good way. 

For those who love the additional linguistic dimension offered by a parallel-text programme, this concert was a delight: four items by four composers from two countries – in three languages.The stage of a full Usher Hall lay bare except for 28 shoulder-high music stands, one for each member of the Estonian Philharmonic Chamber Choir and, facing them, one at conductor height for Daniel Reuss.

Des tourments d'Adam aux chemins de la rédemption, l'Estonian Philharmonic Chamber Choir et le Symfonieorkest Vlaanderen ont donné un programme parfois trop lisse mais toujours d'une grande beauté.

La nouvelle création de Kaija Saariaho est une grande œuvre musicale mal servie cependant par une mise en scène façon Netflix de Simon Stone.

Arvo Pärt a fait le déplacement à la Philharmonie pour cette soirée entièrement consacrée à sa musique, avec l'Orchestre de chambre de Tallinn et le Chœur philharmonique de chambre d'Estonie.