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Unlike Tiler Peck’s ballet, the stories of Odesa continue to live in your head.

Programming three choreographers who are always box office favourites is as sure fire a hit for Ballett am Rhein who debut this neoclassical triple bill featuring a selection of successes. 

Considering the very abrupt transition to dance-on-film that most companies are contending with today, Mahler, live chooses to examine the beginnings of this genre. 

Anna Tsygankova is clearly enjoying her part in Forsythe's Pas/Parts 2018, an exposé of the vocabulary of modern ballet.

A welcome return to London for America's oldest ballet company begins with a highly personal interpretation of Shostakovich in dance 

Ulrich Birkkjaer presented an affecting portrait of a tormented Shostakovich, as he paced, leapt, slumped, was propped back to standing, and relentlessly propelled forward.

In the future features exciting works by Juanjo Arques and Hans van Manen, and is the most exciting programme by the Junior Company so far.

 Zurich’s new triple-bill ballet programme bridges the 20 and 21st centuries with choreography by three different contemporary masters: Jacopo Godani, Hans van Manen, and William Forsythe.

On the second night of San Francisco Ballet’s second visit to Beijing, the company treated their Chinese audience to a varied programme: Tomasson’s Caprice, Wheeldon’s Rush, van Manen’s Variations for Two Couples, and Balanchine’s Theme and Variations.