Tiler Peck makes her NYCB choreographic debut

New York City Ballet in Tiler Peck's Concerto for Two Pianos

Emma Von Enck and India Bradley in Tiler Peck's Concerto for Two Pianos

Roman Mejia in Tiler Peck's Concerto for Two Pianos

New York City Ballet in Justin Peck's Rotunda

New York City Ballet in Alexei Ratmansky's Odesa

By Ivy Lin, 02 February 2024

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“NYCB audiences love Tiler Peck and want her to succeed”

Reviewed at Lincoln Center: David H Koch Theater, New York City on 1 February 2024

Rotunda (Justin Peck)

Concerto for Two Pianos (World premiere) (Tiler Peck)

Odesa (Alexei Ratmansky)

New York City Ballet

Keso Dekker, Set Designer

Reid Bartelme, Costume Designer

Mark Stanley, Lighting Designer

Harriet Jung, Costume Designer

Zac Posen, Costume Designer

Roman Mejia, Dancer

Mira Nadon, Dancer

Chun Wai Chan, Dancer

India Bradley, Dancer

Emma Von Enck, Dancer

Megan Fairchild, Dancer

Daniel Ulbricht, Dancer

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

Irresistible: Justin Peck’s The Wind-Up premieres at NYCB

Carla Escoda, 29th January

Never has Justin Peck seemed more compositionally assured, and paradoxically freer, than in his latest ballet, breaking the mold of past work that mostly celebrated the camaraderie of his generation.

****1

The Royal Ballet in Perspectives: a diverse and challenging triple

Amanda Jennings, 14th November

The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.

****1

Few signs of heat in a mixed bill at New York City Ballet

Carla Escoda, 25th September

New York City Ballet offered a few exhilarating moments in a mishmash of a program from the company with arguably the greatest rep in the world.

***11

Atlanta Ballet showcases impressive range in Balanchine & Peck program

Rebecca Ehrhardt, 13th September

Atlanta Ballet began its season with a mixed bill which amply demonstrated the versatility and capabilities throughout all the ranks of the company.

****1

NYCB: Justin Peck revisits the familiar in Mystic Familiar

Ivy Lin, 10th May

New York City Ballet deliver an enjoyable, diverse, if occasionally predictable triple bill with revivals of works premiered last season.

****1

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Ivy Lin

Ivy Lin's love of ballet began in high school when at the school dance she quickly realized she had two left feet. One always admires things one cannot do, and so Ivy began to attend dance performances to marvel at the grace and beauty of bodies in motion. Ivy's day job is a biology teacher and after a long day in the classroom she loves to unwind by watching dance. She also enjoys theater, opera, pop and classical music. Ivy has her own blog (www.humbledandoverwhelmed,blogspot.com)