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Three different and highly-spirited works, each choreographed for the Junior Ballett Zürich, were recently performed at the city’s opera house.

An inventive reimagining of this well-worn tale 

Ballett Zürich’s tribute to the visionary American choreographer William Forsythe included three ballets that had never before been performed in Switzerland.

Christian Spuck revisits Verdi’s sublime Messa da Requiem with a host of gifted dancers and singers at the Zurich Opernhaus.

Giulia Tonelli's Juliet was sheer perfection, the true mainstay of this unforgettable performance.

Based on a story published by Heinrich Heine in 1834, Giselle has long stood as a front runner in the classical ballet canon.

Marking a century after Vaslav Nijinsky’s last solo performance, Marco Goecke’s ballet gives a new dynamic to the name and story of the legendary Polish-born Russian dancer.

In a magical and widely-varied programme, the Zurich Ballet pays homage to the celebrated Czech choreographer Jiří Kylián by performing four of his extraordinary works together for the first time.

In Zurich, ballet director Christian Spuck recently launched the second season of the multi-layered ballet he choreographed to the great P.I. Tchaikovsky score.

Christian Spuck, Zurich’s ballet director has crafted a new version of Hans Zender’s adaptation of Die Winterreise

Promising new talents among Zurich’s “Young Choreographers” recently showed a variety of inviting works at the city’s opera house. 

Ratmansky's staging is more than a reconstruction. It's a staging that's moving and joyful in its own right.

Edward Clug’s choreography is consistently imaginative and powerful, and exceptionally ambitious in the case of “Faust”, which recently celebrated its world première in Zurich. 

Just as Igor Stravinsky’s Petrushka and Le Sacre du Printemps opened up new musical horizons for dance at the start of the 20th century, Ballett Zürich’s Stravinsky evening sees two leading modern choreographers revive these works.

Ballett Zürich's Anna Karenina travels to Hong Kong (sadly, sans orchestra.) Nevertheless, the dramatic staging, score, and outstanding performances, among them mezzo soprano Lin Shi, prove dazzling.

Made up of aspiring professional dancers from eight different nations, the Junior Ballett Zürich performs a programme of internationally renowned choreographers every two years.

Zurich recently welcomed the Swiss premieres of two extraordinary ballets, one by choreographers Sol León and Paul Lightfoot, the other by Crystal Pite.

In an entirely new version of the ballet, choreographer Christian Spuck wanted to explore the darker realms and fantasy of the ETA Hoffmann narrative that inspired Tchaikovsky’s suite.

Two fine choreographers and the Orchestra La Scintilla heralded two world premiere performances of new ballets at the Zurich opera house.

Not all choreographers take on a gruelling tabletop assignment before defining the movements of a performance. Yet to reconstruct the 1895 Mariinsky Theatre production of Swan Lake, Alexei Ratmansky did just that.

 Zurich’s new triple-bill ballet programme bridges the 20 and 21st centuries with choreography by three different contemporary masters: Jacopo Godani, Hans van Manen, and William Forsythe.

Just as rereading a favourite novel can give the reader new literary impulses to explore, so, too, can the revival of a popular ballet offer a fresh interpretation.

Christian Spuck’s new ballet Messa da Requiem in Zurich, is a breathtakingly powerful achievement. But its profound impact is spurred by more than dance alone.

Choreographers Marco Goerke and Edward Clug take Stravinsky’s two most familiar ballet works to a whole new level.

Getting a glimpse of a next generation of promising artists is always a fascinating pursuit. Seeing the Zurich Dance Academy’s 12th annual “Footprints” performance was no exception.

Christian Spuck’s marvellous ballet "Der Sandmann" (Sandman) was first performed in Stuttgart in the spring of 2006, but this marks its first run in Zurich.

At the Zurich opera house, ballet director and chief choreographer Christian Spuck employs emotionally charged imagery and highly acrobatic dance technique to tell the story his way. 

By bringing a fairy tale alive, Ratmansky may have stayed truth to Petipa's and Ivanov's legacy but he betrayed Tchaikovsky's inner intentions.

In Restless, a striking 4-part programme which the Ballett Zürich recently premiered, it’s sheer energy, speed and unequivocal action in the movements of the human body that are underscored. 

Ballett Zürich’s Junior Ballet, fifteen members strong from ten different nations, recently wowed an enthusiastic audience with a varied programme of five modern choreographers’ works.

In a three-bill programme that opens its season, the Zurich Ballet celebrates works of three choreographers who all pioneered new genres in contemporary dance.

Zurich Ballet performs works by three of the twentieth-century's most foregrounding choreographers: Balanchine, Van Manen and Kylián

Celebrating the modern genre, the Junior Ballet Zurich performs five diverse works to great acclaim.

Zurich’s fine new Strings programme features the works of three renowned choreographers’ and also demonstrates the democratization of ballet.

The Zurich Ballet's production of Anna Karenina is an opulent feast. The great tragedy of love, loyalty and betrayal was set against a seamless score of music by Sergei Rachmaninoff and Witold Lutoslawski.

The Zürich Ballet and Christian Spuck celebrate Georg Büchner’s anniversary with Woyzeck at the Zürich Opera House: a tragic ballet that perfectly balances emotion and form, abstraction and natural movement maintaining real life ambiguity.