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A forgotten meta-opera at La Scala: Gassmann’s L’opera seria

By Laura Servidei, 29 March 2025

Christophe Rousset leads a great cast and an even greater orchestra in Gassmann’s 1769 rarity in Laurent Pelly’s visually striking, but oddly subdued, take on a comedy that thrives on chaos.

***11

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***11

Milan

31 Mar 2025

A forgotten meta-opera at La Scala: Gassmann’s L’opera seria

By Laura Servidei

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London

Life after love: a devastating La rondine from Pappano and the LSO

By Dominic Lowe, 10 December 2024

A concert performance of Puccini's take on operetta sees a superlative reading of the score from Sir Antonio Pappano, and a sensational Magda from Carolina López Moreno.

*****

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*****

London

11 Dec 2024

Life after love: a devastating La rondine from Pappano and the LSO

By Dominic Lowe

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Tokyo

Michieletto's “Camping Così” returns to Tokyo

By Nahoko Gotoh, 30 May 2024

Damiano Michieletto’s 2011 staging of Mozart’s Così fan tutte, dubbed the "Camping Così", is one of the most enduring and entertaining productions in NNTT’s repertory.

****1

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****1

Tokyo

03 Jun 2024

Michieletto's “Camping Così” returns to Tokyo

By Nahoko Gotoh

London

There's no disguising it: duplicity and deceit as Così fan tutte returns to The Royal Opera

By Stephen Pritchard, 25 February 2019

Everyone is in the know in Jan Philipp Gloger's “School for Lovers”, receiving its first revival at Covent Garden.

****1

****1

London

26 Feb 2019

Duplicity and deceit as Così returns to The Royal Opera

By Stephen Pritchard

Piacenza

A traditional Il corsaro revived in Piacenza

By Renato Verga, 06 May 2018

In this Verdi's popular work we find a paroxysm of affections that is consonant with Matteo Beltrami's energetic conducting.

***11

***11

Piacenza

07 May 2018

A traditional Il corsaro revived in Piacenza

By Renato Verga

Turin

The art of deception: Eine Florentinische Tragödie and Gianni Schicchi at the Teatro Regio, Turin

By James Imam, 21 March 2014

Vittorio Borrelli's double bill of Zemlinsky's Eine Florentinische Tragödie and Puccini's Gianni Schicchi had the audience constantly re-evaluating not only what is real and artifice, but what could be deemed virtue and vice.

****1

****1

Turin

25 Mar 2014

The art of deception: Eine Florentinische Tragödie and Gianni Schicchi at the Teatro Regio, Turin

By James Imam