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London's new Centre for Music has much to learn from the Big Apple's mistakes.

Wendy Whelan is proving that there’s plenty of life for older dancers if there are new works that can make use of their special abilities and lifetime of experience.

Academy Award-winning actor Marion Cotillard's portrayal of Honegger's Joan of Arc was curious, exultant, yet unflinching. 

The New York Philharmonic has a distinguished history in Mahler, as does Bernard Haitink, but this Mahler Third didn't quite work.

The main stage of Carnegie Hall was fit to bursting on Wednesday night for Britten's War Requiem, which saw an exquisite interplay of soloists with ensembles, of sacred Latin barely whispered from the chorus and graphic English poetry recited by the tenor and baritone. 

Roulette has never looked so snazzy: the usual dishevelled hipsters were replaced by well-dressed audience members of all ages, wearing heels rather than flannel, drinking from wine glasses rather than beer bottles.