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A Rigoletto revival in Milan is elevated by a stellar vocal performance from Amartuvshin Enkhbat, despite a finale that divides opinion and some uneven orchestral pacing. 

Mario Martone’s new production is inconsistent, while the musical performance is hindered by lacklustre conducting and a miscast prima donna. 

Conductor Michele Gamba gives a very personal interpretation of Rigoletto, in an intelligent new production by Mario Martone, which seals a great success for the trio of principal singers, Amartuvshin Enkhbat, Nadine Sierra and Piero Pretti.