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Great vocal performances from Amina Edris and Gerald Finley grace John Adams' new opera, which opens San Francisco Opera’s centennial season.

Both vocally and instrumentally the performance  was a high-class one

The evening’s most revelatory performance came from the young countertenor Aryeh Nussbaum Cohen as Medoro. 

A wonderfully realized production at San Francisco Opera of Jake Heggie's operatic version of a holiday classic. 

Tenor-turned-director José Cura transplants the action from southern Italy to Buenos Aires. 

The world is gloriously redeemed in the gripping final installment of San Francisco Opera's Ring cycle.

Despite a strong vocal and orchestral performance, David Hockney's sets are still the main draw for San Francisco Opera's Turandot. 

Adams and Peter Sellars demand that the audience take a cold, hard look at the Gold Rush and the founding history of California.

A thought-provoking production and killer cast make San Francisco Opera's Elektra top-notch music drama.

San Francisco Opera's Turandot is a feast for the eyes and ears, but the drama falls flat.

Dangling and turning like shards of a giant overhead chandelier in Don Giovanni’s banquet hall, this is an evocative multimedia production that tantalizes the senses while shining new light on Mozart's genius. 

If you love Verdi's inventive music, enjoy fabulous male voices in particular, and appreciate great opera conducting with exquisitely sensitive orchestral playing – then this Rigoletto is a must.

San Francisco Opera's Aida features exciting role debuts from Leah Crocetto and Brian Jagde and a visually striking production, but a lack of good direction keeps it from being great music drama.

Despite the black and white palate, this Makropulos Case has plenty of color. Nadja Michael heads the cast with her fiery portrayal of Elina Makropulos, and conductor Mikahil Tatrnikov makes a triumphant San Francisco Opera debut in the pit.

Four star singers shine in Pelly's glamorous production of Don Pasquale, which brings out both the lightness and the darkness of the opera.

A new operatic adaptation of Dream of the Red Chamber by Bright Sheng and David Henry Hwang offers musical and visual delights but stumbles on the text.

Andrea Chénier returns to San Francisco Opera after a long absence, in Sir David McVicar's realistic production. 

Calixto Bieito’s production of Georges Bizet’s Carmen isn't without controversy. San Francisco Opera gave us raw sexuality unvarnished by any degree of social refinement.

This performance marked Sir Mark Elder’s debut with the company and, beginning with the overture, he offered his individual interpretation of the score. He had an enormous range of dynamics and his tempi varied widely with the emotional values of each scene.

San Francisco Opera's production of Sweeney Todd brings nothing new to the musical, but the cast includes wonderful surprises – most notably Stephanie Blythe's Mrs Lovett.

An exciting cast starring Michael Fabiano and Leah Crocetto makes up for a slow and static production at San Francisco Opera's opening night.