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When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.

Someone at New York City Ballet needs to believe in Orpheus before they present it again.

It's got a lot of appeal, with a diverse range of choreography, and offering audiences the chance to see excellent dancing and even some partnerships forming from different companies.

 Both the new works are accessible ballets in the neoclassical style that is typical of the company.

A Greek-themed triple bill is presented with mixed success, although Agon still stands up well, with Unity Phelan making her debut in the central pas de deux.

New York City Center’s annual Fall for Dance festival heads online in a pair of programs, one much stronger than the other. 

A triple bill of 21st-century ballets at the Koch Theater sees the return of Alexei Ratmansky's masterpiece, Pictures at an Exhibition. 

Sterling Hyltin rendered the sylph so enchantingly that I can’t imagine who could dance it better.