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Lydia Steier’s colourful production of Alcina in Basel was as much a lesson in conflict resolution as it was in the power of love.

Based on the ancient tragedies by Aeschylus, Oresteia makes a great case for composer Iannis Xenakis’s concept of “total theatre”.

In Richard Jones' production of Don Giovanni at Theater Basel, it was the singers alone who stole the limelight.

Augen zu in totaler Verliebtheit oder sich der Realität stellen? Dem Schwanken und Wanken der Liebe geht Lydia Steier in ihrer nachdenklichen Inszenierung von Händels Alcina in Hannover nach.