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Carl Orff's bawdy choral work shares a program with the sweet and sincere Credo, a rediscovered work by the American composer and arranger Margaret Bonds.

David T Little’s Black Lodge, with a libretto by legendary poet Anne Waldman, receives its world premiere at the Philadelphia Film Center.

Lawrence Brownlee further cements his status as the world's leading bel canto tenor with a blazing performance as Rodrigo, the unlikely central figure in Rossini's rendering of the Shakespearean tragedy.

The company returned to its home at the Academy of Music after three years with a brutalist take on Verdi's middle-career masterpiece.

Director and star Johnathan McCullough gives a riveting performance as a young man scarred by his experiences on the battlefield.

This Requiem was a gift to Music Director Corrado Rovaris for the anniversary of his twenty years with the company.

Alessandro Talevi production for Festival O has sight gags and vaudeville tricks aplenty and features splendid voices in a fine cast. 

James Darrah stages Handel's sensual oratorio for Festival O, a feast of wonderful singing. 

Davide Livermore's production of La bohème is inspired by the Impressionist troves at The Philadelphia Museum of Art and The Barnes Collection.

The director's world-renowned 1991 conception of Benjamin Britten's 1960 operaA Midsummer Night's Dream finally makes it to America. 

Top-notch singers and some sensitive direction almost make up for Laurent Pelly's frustrating Opera Philadelphia production.