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An enveloping performance of Die Walküre spans three consecutive evenings, featuring world class singing in Frank Gehry’s stunning space.

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials. 

John Adams’ Antony and Cleopatra puts the composer's propulsive music at the service of both moments of riveting human drama and less effective scenes of battle and politics. 

A fully-staged performance of Wagner's Das Rheingold transforms Walt Disney Concert Hall to an opera house where the orchestra is the star. 

Great vocal performances from Amina Edris and Gerald Finley grace John Adams' new opera, which opens San Francisco Opera’s centennial season.

Any parallels between Rome in the first century under Emperor Titus and the United States two millennia later under Emperor Trump were lost in a Tinseltown graphic novel sweep.

Susan Graham had all the fun every mezzo-soprano witch, who can sing the role and disguise herself – when necessary – to look the part, deserves.