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English National Ballet dance an old classic in a new light.

A mix of world class performances and interesting new choreography is a bit of a magnet for ballet-goers.

Christopher Wheeldon's Cinderella in-the-round is an immersive experience in the grand ballroom scene but the romantic duets are robbed of an essential intimacy.

Even within a line-up boasting some of the greatest international stars from across the world, it is the youngest couple, making their UK debuts, who captivate the audience.

Deane has created a production that respects the tradition of Swan Lake without unnecessary embellishment.

Wayne Eagling's production for English National Ballet does not show any signs of waning popularity... audiences still want their yearly fix!

English National Ballet tours its outgoing artistic director's revision of Petipa's Raymonda, but it's Glazunov who proves the real winner. 

Ek's second, very different take on Stravinsky's Rite crowns an English National Ballet triple bill extolling the pure joy of dance and exposing the terror of forced marriage. 

Despite excellent performances, time needs to be called on Wayne Eagling's Nutcracker. 

A mixed bag from the ENB repertoire to greet the summer solstice at the Royal Festival Hall. 

The ENB translates its digital films made during the pandemic into an evening of a live performance.

Fêted collaboration lacks substance despite committed performances, and it's Cherkaoui's Faun that captures the human connection.

A well-curated gala with gravitas; showcasing several works and dancers rarely, if ever, seen in London.

She Persisted is the sequel to English National Ballet's She Said, a triple bill featuring work by Annabelle Lopez Ochoa, Stina Quagebeur and Pina Bausch.