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ABT's Swan Lake suffered due an obvious lack of rapport between its lead dancers but there was still some fine dancing on offer.

Exceptional singing enlivens a flawed production, which takes liberties with the tone and tenor of Beethoven's sole opera.

This abridged version of Massenet's Cendrillon was clearly chosen for a wide Sydney audience, succeeding as a popular offering in the Australian summer holiday season. 

The Canadian Opera Company’s season opening production is musically excellent, but the dated, dull production adds little. 

Through brilliant singing and layered acting, Javier Camarena, Mané Galoyan, and Igor Golovatenko drive a Rigoletto to warm a traditionalist's heart. 

A star was born, and she was launched into the galaxy. Impressive New York debuts in Swan Lake from Chloe Misseldine and Aran Bell.

Angel Blue and Jonathan Tetelman star in a revival of Nicolas Joël’s 2008 production of the Italian master’s sole attempt at crossover. 

Alexei Ratmansky's Ancient Greek take on Bolshoi-style dram-ballets gets its New York premiere as part of American Ballet Theatre's summer season at the Met.

Forget Rimsky-Korsakov, forget the Polish act... Stephen Wadsworth's new production for The Met returns to Mussorgsky's original 1869 version of his Russian historical epic. 

Seattle Opera do full justice to Dove and De Angelis's comic opera with a dark twist, filming it in the city's Museum of Flight.

At Dutch National Opera in Amsterdam, Laurent Pelly stages Cenenrentola as a pink daydream.

Despite starry bel canto experts such as Joyce DiDonato, Lawrence Brownlee and maestro Michele Mariotti, a 2013 Paul Curran staging of Rossini’s La donna del lago reads vacuous on The Metropolitan Opera stage.

Houston Grand Opera’s season-opening production of the fiery opera does it right, from lighting to set to singing, and the end result is a stunning beginning to its season.

Die Staatsoper liefert eine solide Premiere von Donizettis Belcanto-Oper; die große Sensation bleibt aber aus.