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An outstanding choral performance by nearly 300 singers of the BBC National Chorus of Wales and the Crouch End Festival Chorus lights up Verdi’s hybrid of opera and devotional music.

Ryan Bancroft and the BBC NOW offer scintillating playing in John Adams’ Harmonium, plus an exciting world premiere from Derrick Skye and a stunning Copland concerto with clarinettist Annelien Van Wauwe.

A huge hall, a huge orchestra and a huge chorus letting rip with a monster of the choral repertoire… We've missed this. 

John Luther Adams piece unfolds with the patience and weight of the geological time, leaving a powerful mark.

The 20th century completely passed Parry's Judith by completely... and it isn't difficult to see why.

Juanjo Mena and the BBC Philharmonic juxtaposed Simpson's oratorio, The Immortal, inspired by mediums and seances, with Tchaikovsky's Sixth Symphony where life slips away into the void.

The silence of the Cenotaph was swept away by the greatest howl of anguish in music.

Prom 22 was a surreal evening of music, centered around the UK première of Auerbach’s The Infant Minstrel and His Peculiar Menagerie.

How to compare Nielsen and Ives? Possible similarities aside, however, the impact of their work is, on the whole, wildly contrasting.

Rachmaninov's The Bells proved the highlight of Prom 43, with fabulous soloists and huge choral forces who stole the show in the third movement.

This was the first time I've been to a concert with a 10:30 kick-off, but then this was the first of its kind. Nor did the inaugural Sport Prom turn out to be merely a game of two halves...

The 60th anniversary of Her Majesty’s Coronation has prompted much festivity and reminiscence. To be on the throne for such a long time is a remarkable achievement, and to be almost as active as ever in carrying out royal duties 60 years on even more so; events such as the service of celebration at Westminster Abbey, and the many Coronation-related television and radio broadcasts, have provided an

In a castle in mediaeval Denmark, King Waldemar and Tove sing rapturously of their love. But dark deeds are afoot: a Wood Dove tells us that Tove has been murdered by Waldemar's jealous queen, Waldemar berates God, he and his men are condemned to rise from their graves every night and ride in a wild hunt - all this to the accompaniment of a giant, brass-laden orchestra playing a lush, opulent symp

Perhaps visions of the royal princes in battle dress influenced last night’s programme. Or perhaps it was merely felt that Beethoven’s Eroica symphony requires a suitably epic companion. Either way, the result was a rare performance of Britten’s enormous Battle of Heroes, written to honour the members of the International Brigade who died in the Spanish Civil war.

Saturday night at the Barbican Centre was anything but ordinary. Performing two works by composers John Adams and Roberto Gerhard, the Crouch End Festival Chorus (CEFC) and London Orchestra da Camera, conducted by David Temple, achieved harmonic brilliance and chilling dissonance in a single evening. The first half of the night was devoted to John Adams’ Harmonium.

In spite of Mahler's disapproval, his eighth symphony is forever tagged as the "Symphony of a Thousand" because of the immense choirs which perform it.