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Benjamin Britten's comic slice of country life proves an ideal choice for the conservatory setting.

In Barbiere, the humor is constantly in the music So this staging was best when the director didn't impose anything but followed and respected the text and especially the music.

The pairing of Ralph Vaughan Williams’ Riders to the Sea with Rene Orth’sEmpty the House worked perfectly and did absolute justice to these two despair-filled operas.

Curtis Institute singers and orchestra rescue Mozart's Don Giovanni from being overwhelmed by pianos.

Just sit right back and you'll hear a tale about a great conservatory production of Ariadne auf Naxos, with wonderful singing and visual delights aplenty.