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Bartlett Sher’s 2006 production of Rossini’s tuneful masterpiece is showing its age, but a superb cast and conductor keep the comedy moving. 

Fifteen years after its Dallas Opera world premiere, Jake Heggie’s grand adaptation of Herman Melville’s sprawling epic arrives in New York in a stunning production with a standout cast.  

The American soprano heads an uneven cast in Michael Mayer’s archeologically inspired staging of Verdi’s great tale of love, war and betrayal.

Deborah Colker directs an ambitious show, which works incredibly well with storytelling as emotive as it is narrative, confronting death and loss in sharp, weary pains. 

After a heavily promoted but underwhelming opening night, the company gets the new season back on track with plenty of star power in Offenbach’s final masterpiece. 

An exceptionally strong cast, led by Ryan Speedo Green, fails to disguise Blanchard's bland score and the opera's weak libretto.

Anthony Minghella’s highly stylized Madama Butterfly returns to New York for its ninth revival, with the Polish soprano delivering a thrilling performance in a Met role debut.

Carrie Cracknell’s modernized take on Bizet’s 1875 iconic opera moves the action from early 19th-century Spain to a 21st-century American industrial town.

Anthony Davis’ groundbreaking opera, with a jazz band in the middle of the orchestra and a book that focuses more on crises than victories, proves hard to see as an heroic tale.

With Liudmyla Monastyrska and George Gagnidze leading the cast, the Met revives Elijah Moshinsky’s 2001 staging of Verdi’s biblical epic under the baton of Daniele Callegari.

Tomasz Konieczny, as the enigmatic mariner condemned to sail the seas forever, heads a superb cast in this Met Opera revival of François Girard’s murky production of Wagner’s early masterpiece.

With a stellar cast and fine orchestral playing, Mozart’s enigmatic fairy tale takes on a darker, more grown-up tone in its first new Metropolitan Opera staging in 19 years.

A loud, unsubtle performance of a loud, unsubtle production – the Met really deserves a new Aida.