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A rare chance to see the first extant opera written by a woman, Francesca Caccini's La liberazione di Ruggiero dall’ isola d’ Alcina. 

A riotous double bill of Pergolesi at the Boston Early Music Festival.

In spite of superb performances from the Boston Early Music Festival Orchestra and the two lead soloists, Steffani’s Niobe at the Concertgebouw offers too few inspired moments to make it truly memorable.

A near capacity audience gathered at the Wigmore Hall last week to celebrate another English musical anniversary – not the birth of Benjamin Britten one hundred years ago, but that of lutenist and composer John Dowland, some 350 years earlier.

Tragicomedia presented a jewel-box of baroque cantatas at Gilder Lehrman Hall at the Morgan Library Museum. The elite ensemble, directed by Stephen Stubbs, includes some of America’s finest Baroque musicians, who can improvise in the style as well. Friday evening’s concert also featured soprano Shannon Mercer and bass-baritone Douglas Williams.

In der Lachmuskeln strapazierenden Inszenierung formationseigenen Gilbert Blins gelingt dem BEMF ein Opernspaß, der es absolut verdient, vermehrt sein fantastisches Unwesen treiben zu dürfen.

Le Boston Early Music Festival Orchestra et pas moins de neufs chanteurs issus de différents horizons étaient réunis pour l’exécution du septième opéra en trois actes du compositeur italien Agostino Steffani, Niobe, Regina di Tebe.