Komische Oper's re-imagining of Nico Dostal's 1933 operetta makes for delightfully escapist, romantic evening out, while Christoph Marti's superb drag performance of the title role makes it a memorable one.
Barrie Kosky, with nods to the surreal and the macabre, plunges us headlong into Hoffmann’s nightmarish world in a terrific new production at the Komische Oper.
Usually, I don’t find much to be excited about in opera stagings meant to overhaul the genre, to give it the resuscitation it apparently needs. They are always more promising on paper, always less effective in execution: I’ve seen all kinds of sexual permissiveness, giant machines, film projections, even singing robots (an especially low point).
Signs of birth and death – but moreso death – flash continuously through the Latvian director Viestur Kairish’s new production of Britten’s A Midsummer Night’s Dream, which opened the Komische Oper Berlin’s 2013/14 season.
El Liceu comienza su temporada con La flauta mágica, en una producción de inspiración cinematográfica que conforma un espectáculo audiovisual abierto a todos los públicos completado por una interpretación ágil de la partitura.
